Second life of Soviet photomntage, 1935 ‐ 1980s

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Second life of Soviet photomntage, 1935 ‐ 1980s

หน่วยงาน Edinburgh Research Archive, United Kingdom

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ชื่อเรื่อง	:	Second life of Soviet photomntage, 1935 ‐ 1980s , Second life of Soviet photomontage, 1935 ‐ 1980s
นักวิจัย	:	Akinsha, Konstantin
คำค้น	:	photomontage , Soviet propaganda , Russian Avant-garde , photography
หน่วยงาน	:	Edinburgh Research Archive, United Kingdom
ผู้ร่วมงาน	:	Hammer, Martin
ปีพิมพ์	:	2556
อ้างอิง	:	http://hdl.handle.net/1842/7871
ที่มา	:	-
ความเชี่ยวชาญ	:	-
ความสัมพันธ์	:	Akinsha, Konstantin, ‘Ideologiya, kak ornament’, in 100 % Ivanovo. Agitatsionnyi tekstil’ 1920-kh – 1930-kh godov iz sobraniya Ivanovskogo gosudarstvennogo istorikokraevedcheskogo muzeya im. D. G. Burylina, Vol. I, Ivanovsky agitatsionnyi tekstil’: Rozhdenie i zhizn’, dizain i proizvodstvo, utraty i muzeefikatsiya (Moscow: Pervaya publikatsiya, 2010), 93-99 , Akinsha, Konstantin,‘Il Naso Di Alfred Flechtheim: Antisemitismo e Immagini Nella Propaganda Nazista’, Storicamente, 4 (2008) , Akinsha, Konstantin, ‘Malevich and Lenin: Image, Ritual and the Cube’, in Rethinking Malevich: Proceedings of a Conference in Celebration of the 125th Anniversary of Kazimir Malevich’s Birth, ed. by Charlotte Douglas and Christina Lodder (London: Pindar Press, 2007), 139-158 , Akinsha, Konstantin, ‘“Painting Went Out into the Street”: The War of Images Along the Eastern Front’, in Windows on the War: Soviet TASS Posters at Home and Abroad, 1941-1945 (Chicago, Ill.: Art Institute of Chicago, 2011), 137-159
ขอบเขตของเนื้อหา	:	-
บทคัดย่อ/คำอธิบาย	:	This dissertation explores the development of Soviet photomontage from the second half of the 1930s to the end of the 1970s. Until now, the transformation of the modernist medium and its incorporation into the everyday practice of Soviet visual propaganda during and after the Second World War has not attracted much scholarly attention. The firm association of photomontage with the Russian Avant-garde in general, and with Constructivism in particular, has led art historians to disregard the fact that the medium was practised in the USSR until the final days of the Soviet system. The conservative government organisations in control of propaganda preserved satirical photomontage in its post-Dadaist phase and Heartfield-like form, finding it useful in the production of negative propaganda.
บรรณานุกรม	:	APA Chicago MLA Vancouver Akinsha, Konstantin . (2556). Second life of Soviet photomntage, 1935 ‐ 1980s. กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom . Akinsha, Konstantin . 2556. "Second life of Soviet photomntage, 1935 ‐ 1980s". กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom . Akinsha, Konstantin . "Second life of Soviet photomntage, 1935 ‐ 1980s." กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom , 2556. Print. Akinsha, Konstantin . Second life of Soviet photomntage, 1935 ‐ 1980s. กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom ; 2556.