| ชื่อเรื่อง | : | Nigel Pegrum, 'didjeridu-friendly sections', and what constitutes an "indigenous" CD : an Australian case study of producing "world music" recordings |
| นักวิจัย | : | Neuenfeldt, Karl. |
| คำค้น | : | Pegrum, Nigel. , World music. , 750805 Aboriginal and Torres Strait Islander heritage , 370302 Social and Cultural Anthropology , TBA. , 950302 Conserving Aboriginal and Torres Strait Islander Heritage. , 9503 Heritage. , 95 Cultural Understanding. , 160104 Social and Cultural Anthropology. , 1601 Anthropology. , 16 Studies in Human Society. , Indigenous peoples , Sound recording industry |
| หน่วยงาน | : | Central Queensland University, Australia |
| ผู้ร่วมงาน | : | - |
| ปีพิมพ์ | : | 2548 |
| อ้างอิง | : | http://hdl.cqu.edu.au/10018/18623 , cqu:3273 |
| ที่มา | : | Neuenfeldt, K 2005, 'Nigel Pegrum, 'didjeridu-friendly sections', and what constitutes an "indigenous" cd: an Australian case study of producing "world music" recordings', in Wired for Sound: Engineering and Technologies in Sonic Cultures., Wesleyan Press, Hanover USA. |
| ความเชี่ยวชาญ | : | - |
| ความสัมพันธ์ | : | Wired for sound : engineering and technologies in sonic cultures / edited by Paul D. Greene and Thomas Porcello. Hanover USA. : Wesleyan Press, 2005. Chapter 4, p. 84-102 19 pages 13 chapters 0819565172 , ACQUIRE [electronic resource] : Central Queensland University Institutional Repository. |
| ขอบเขตของเนื้อหา | : | - |
| บทคัดย่อ/คำอธิบาย | : | "This chapter uses a case study from Australia to explore some of the dynamics and relationships embedded in the industrial and cultural production of diverse musical styles loosely grouped under the rubric "Indigenous" (Mitchell 1(993), which often falls within the marketing niche of "world music" (Taylor 1997: 1-37). The cultural politics, ethical dilemmas, and rip-offs arising out of such recording projects have attracted considerable academic and legal attention. Less attended to, however, is the studio practice of music producers and engineers (a notable exception is Mcintjes 2003), specifically relating to how they address aesthetic, ethical, and economic factors when they impact upon notions of what is and is not an Indigenous recording and thus "authentic" (Erlmann 1996)." |
| บรรณานุกรม | : |
Neuenfeldt, Karl. . (2548). Nigel Pegrum, 'didjeridu-friendly sections', and what constitutes an "indigenous" CD : an Australian case study of producing "world music" recordings.
กรุงเทพมหานคร : Central Queensland University, Australia. Neuenfeldt, Karl. . 2548. "Nigel Pegrum, 'didjeridu-friendly sections', and what constitutes an "indigenous" CD : an Australian case study of producing "world music" recordings".
กรุงเทพมหานคร : Central Queensland University, Australia. Neuenfeldt, Karl. . "Nigel Pegrum, 'didjeridu-friendly sections', and what constitutes an "indigenous" CD : an Australian case study of producing "world music" recordings."
กรุงเทพมหานคร : Central Queensland University, Australia, 2548. Print. Neuenfeldt, Karl. . Nigel Pegrum, 'didjeridu-friendly sections', and what constitutes an "indigenous" CD : an Australian case study of producing "world music" recordings. กรุงเทพมหานคร : Central Queensland University, Australia; 2548.
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